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	<title>
	Comments on: It&#8217;s the Pizz	</title>
	<atom:link href="https://www.timusic.net/debreved/its-the-pizz/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.timusic.net/debreved/its-the-pizz/</link>
	<description>The missing chapters on the orchestra</description>
	<lastBuildDate>Mon, 23 Aug 2021 08:25:33 +0000</lastBuildDate>
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	<item>
		<title>
		By: Milo Cooper		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-1499</link>

		<dc:creator><![CDATA[Milo Cooper]]></dc:creator>
		<pubDate>Mon, 23 Aug 2021 08:25:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-1499</guid>

					<description><![CDATA[Where can one hear how 1/2 arco and 1/2 pizz. sounds?  Any YouTube links?]]></description>
			<content:encoded><![CDATA[<p>Where can one hear how 1/2 arco and 1/2 pizz. sounds?  Any YouTube links?</p>
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		<item>
		<title>
		By: Rafa Rodrigues		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-1493</link>

		<dc:creator><![CDATA[Rafa Rodrigues]]></dc:creator>
		<pubDate>Mon, 01 Feb 2021 14:50:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-1493</guid>

					<description><![CDATA[1 - Maybe use a minim/half note or a semibreve/whole note instead? (imagining it means &quot;let it ring...&quot; as in a plucked instrument or sustained percussion notation)
2 - An octave below will sound better on the violin (or change the technique). Maybe if we use an semibreve/whole note, we will have the same result.]]></description>
			<content:encoded><![CDATA[<p>1 &#8211; Maybe use a minim/half note or a semibreve/whole note instead? (imagining it means &#8220;let it ring&#8230;&#8221; as in a plucked instrument or sustained percussion notation)<br />
2 &#8211; An octave below will sound better on the violin (or change the technique). Maybe if we use an semibreve/whole note, we will have the same result.</p>
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		<title>
		By: Mary		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-1375</link>

		<dc:creator><![CDATA[Mary]]></dc:creator>
		<pubDate>Thu, 29 Jun 2017 18:21:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-1375</guid>

					<description><![CDATA[What is it called when you want to stop sempre staccato, for a section?]]></description>
			<content:encoded><![CDATA[<p>What is it called when you want to stop sempre staccato, for a section?</p>
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		<title>
		By: Ahmet Ozturk		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-1368</link>

		<dc:creator><![CDATA[Ahmet Ozturk]]></dc:creator>
		<pubDate>Mon, 17 Apr 2017 04:36:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-1368</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.timusic.net/debreved/its-the-pizz/#comment-1356&quot;&gt;Lima&lt;/a&gt;.

Bartok pizz for doublestops: it is very awkward.and slow, but doable.

But, you will just get an eneven and softer effect, since two strings will be unnaturly piched with less total strength, which is unevenly distributed due to the differing tensions of the strings. :)]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.timusic.net/debreved/its-the-pizz/#comment-1356">Lima</a>.</p>
<p>Bartok pizz for doublestops: it is very awkward.and slow, but doable.</p>
<p>But, you will just get an eneven and softer effect, since two strings will be unnaturly piched with less total strength, which is unevenly distributed due to the differing tensions of the strings. 🙂</p>
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		<item>
		<title>
		By: Ahmet Ozturk		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-1361</link>

		<dc:creator><![CDATA[Ahmet Ozturk]]></dc:creator>
		<pubDate>Mon, 27 Feb 2017 20:39:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-1361</guid>

					<description><![CDATA[Bartok pizz CAN be used on the violin A string and viola D and A strings if:

You use either wound or pure gut, as synthetic strings are too tense. :)]]></description>
			<content:encoded><![CDATA[<p>Bartok pizz CAN be used on the violin A string and viola D and A strings if:</p>
<p>You use either wound or pure gut, as synthetic strings are too tense. 🙂</p>
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		<item>
		<title>
		By: Lima		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-1356</link>

		<dc:creator><![CDATA[Lima]]></dc:creator>
		<pubDate>Mon, 30 Jan 2017 21:37:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-1356</guid>

					<description><![CDATA[Please add a comment on Bartók/snap pizz.: is it possible to use it with double stops?]]></description>
			<content:encoded><![CDATA[<p>Please add a comment on Bartók/snap pizz.: is it possible to use it with double stops?</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Peter Roos		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-641</link>

		<dc:creator><![CDATA[Peter Roos]]></dc:creator>
		<pubDate>Mon, 10 Jun 2013 01:11:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-641</guid>

					<description><![CDATA[Hi Tim:

Taking a crack at the two questions you raised at the end:

1. If this is a tie, it is not tied to any other note and should be removed (there&#039;s a &#039;dangling tie&#039; removal plugin in Sibelius, there is probably something similar in Finale). It is it slur, meaning to indicate &#039;laissez vibrer&#039;, I would prefer writing &quot;l.v.&quot; as it is now seems to slur to a rest which makes no sense and it raises issues with the players as to what is meant.

2. This Bartok pizzicato is pretty high up the e string of the violin, and it&#039;s not going to sound very well; you&#039;re asking them to molest their instrument with little effect to show for it. If you want something &#039;high snappy&#039; it probably makes more sense to combine a bartok pizzicato on the lower strings with a regular pizzicato on the upper strings, or maybe just a regular staccato note, or maybe a xylophone note or something other non-sustaining.

Cheers,
Peter]]></description>
			<content:encoded><![CDATA[<p>Hi Tim:</p>
<p>Taking a crack at the two questions you raised at the end:</p>
<p>1. If this is a tie, it is not tied to any other note and should be removed (there&#8217;s a &#8216;dangling tie&#8217; removal plugin in Sibelius, there is probably something similar in Finale). It is it slur, meaning to indicate &#8216;laissez vibrer&#8217;, I would prefer writing &#8220;l.v.&#8221; as it is now seems to slur to a rest which makes no sense and it raises issues with the players as to what is meant.</p>
<p>2. This Bartok pizzicato is pretty high up the e string of the violin, and it&#8217;s not going to sound very well; you&#8217;re asking them to molest their instrument with little effect to show for it. If you want something &#8216;high snappy&#8217; it probably makes more sense to combine a bartok pizzicato on the lower strings with a regular pizzicato on the upper strings, or maybe just a regular staccato note, or maybe a xylophone note or something other non-sustaining.</p>
<p>Cheers,<br />
Peter</p>
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		<item>
		<title>
		By: Graham Lloyd		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-557</link>

		<dc:creator><![CDATA[Graham Lloyd]]></dc:creator>
		<pubDate>Sun, 02 Jun 2013 08:59:17 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-557</guid>

					<description><![CDATA[As usual, terrific content delivered with that wonderful Tim Davies sense of humour and fun. You&#039;re a great teacher. 

Graham]]></description>
			<content:encoded><![CDATA[<p>As usual, terrific content delivered with that wonderful Tim Davies sense of humour and fun. You&#8217;re a great teacher. </p>
<p>Graham</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: Tremolo and the abstract truth &#124; deBreved - Tim Davies Orchestration BlogdeBreved &#8211; Tim Davies Orchestration Blog		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-554</link>

		<dc:creator><![CDATA[Tremolo and the abstract truth &#124; deBreved - Tim Davies Orchestration BlogdeBreved &#8211; Tim Davies Orchestration Blog]]></dc:creator>
		<pubDate>Sun, 02 Jun 2013 01:18:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-554</guid>

					<description><![CDATA[[...] Tremolo is a fast, and by default, unmeasured oscillation of the bow. Tremolo, like¬?harmonics, and pizzicato is a technique where the use of samples in composition has given composers a false sense of [...]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Tremolo is a fast, and by default, unmeasured oscillation of the bow. Tremolo, like¬?harmonics, and pizzicato is a technique where the use of samples in composition has given composers a false sense of [&#8230;]</p>
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			</item>
		<item>
		<title>
		By: Tim		</title>
		<link>https://www.timusic.net/debreved/its-the-pizz/#comment-553</link>

		<dc:creator><![CDATA[Tim]]></dc:creator>
		<pubDate>Sat, 01 Jun 2013 22:29:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.timusic.net/?p=2109#comment-553</guid>

					<description><![CDATA[Just realized I published this by accident, I just fixed a few things and may be back for more!]]></description>
			<content:encoded><![CDATA[<p>Just realized I published this by accident, I just fixed a few things and may be back for more!</p>
]]></content:encoded>
		
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