It was a blast working with Sarah Schachner on Predator: Badlands. She has a very unique voice and style, often playing nearly everything herself on synths, strings, or anything else she can find.
Instead of doubling up all of that with orchestra, this time Sarah suggested we use the orchestral ensemble as a bed under her performances. It was a brilliant idea and it created a sound no one else in this business makes. Thanks for having me on board again, Sarah, and shout‑out to Kyle Moorman for his great work too.
Recorded by my friends at Trackdown in Sydney.
