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Hoppers is out and off to a fantastic start at the box office. Chuffed to have been involved in another score by Mark Mothersbaugh. It was great to meet and hang with director Daniel Chong during the sessions and hear about the process of making the film. It’s amazing how much time goes into creating one of these. As usual, it was a huge team effort. Jeremy Levy, Lorenzo Carrano, Pano Fountas, Ryan Humphrey, and Jordan Siegel all delivering as always. Thanks as well to Sunna…
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Go see EPiC.The score for Moulin Rouge! had a huge impact on how I write and arrange, so getting the chance to work on a new project with Baz Luhrmann was a dream come true. I was brought in to transcribe the original orchestral parts and help re-record the orchestra. The music existed on tape, but the recording itself wasn’t usable, so we rebuilt it from the ground up. I also orchestrated the underscore for Elliott Wheeler and arranged some string parts for producer Omer…
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War Machine is streaming on Netflix and has hit #1! I had a lot of fun orchestrating the fantastic score by Dmitri Golovko. Huge thanks to Hillary Holmes and Celeste Chada for the introduction and for bringing me onto the project. An extra highlight was heading back to Australia to record the score at Trackdown Studios with my Aussie friends. Thanks as always to the crew who helped pull everything together- Jeremy Levy, Pano Fountas, Ryan Humphrey, and to Jess G. Wells for being there as…
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Just before Christmas I got a call from Joel Farland, who is the Musical Director for the ABC New Year’s Eve show in Sydney. They were going to have a moment of silence at 11pm to remember the victims of the recent Bondi attacks and needed something special to lead out of it. There were lots of messages and meetings as we all tried to think of the right song. It was decided that it should be INXS’s Never Tear Us Apart. The brief was to keep it…
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I had the pleasure of arranging jazz songs for the radio soundtrack of Outer Worlds 2. Working on tunes by my friend Jim Bonney, who brought me on board, was an absolute blast. The soundtrack is now out on all streaming platforms and has been getting fantastic reviews. Thanks to Tony Blackwell, who composed many of the songs and led the vision for the radio soundtrack, to Jeremy Levy for his help with arrangements, to the musicians, and to everyone else who helped bring this massive…
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It was a blast working with Sarah Schachner on Predator: Badlands. She has a very unique voice and style, often playing nearly everything herself on synths, strings, or anything else she can find.Instead of doubling up all of that with orchestra, this time Sarah suggested we use the orchestral ensemble as a bed under her performances. It was a brilliant idea and it created a sound no one else in this business makes. Thanks for having me on board again, Sarah, and shout‑out to Kyle…
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I had a blast orchestrating Jeremiah Fraites' score for this awesome movie. His music really carries the heart of the story and it was a pleasure to help bring it to life.
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It was a pleasure to work with Jeremiah Fraites and David Baron on the film adaptation of Steven King's The Long Walk (dir. Francis Lawrence). Huge thanks to Lionsgate and Celeste Chada for bringing me on board. The score turned out fantastic, and the movie itself is incredibly impactful.
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It was a pleasure to write some charts for Joe Boanamassa and the Metropole Orkest for their incredible show at the North Sea Jazz Festival. Big thanks to Jules Buckley for having me on the team.
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I had the pleasure to conduct and write arrangements for this awesome show with the Detroit Symphony Orchestra. I was commissioned to write an overture celebrating the artistry of Detroit icon J Dilla, and also arranged several pieces for Big Sean, who curated the concert. Thank you to Jeremy Levy for writing a chart for Queen Naija, and to Enrico Lopez-Yañez for contributing a great arrangement and for letting me drive his orchestra for a bit.
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