Connect with Tim


Endre Granat Part 3

In Part III of my chat with Endre Granat, we discuss how the bow can be used to change the color of the sound. Sul Tasto and Sul Ponticello are demonstrated as well as how bow speed and pressure effect the sound. Make sure you check out Part I and Part II of Endre's interview and Guide to a Good Bow Job and It's the Pizz.
Read More

Endre Granat Part 2

In Part II of my chat with Endre Granat, we discuss some of the mechanics of playing a stringed instrument and Endre demonstrates standard bowing techniques. He breaks them down into three categories. Legato Staccato 'Bouncing' Legato is the default bow stroke; no additional notation is needed apart from slurs if you want more than one note per bow. Staccato is a short, fast stroke where the bow starts and ends on the string. 'Bouncing' is a stroke where the bow starts and ends above,…
Read More

Endre Granat Part 1

Endre Granat is the most recorded violinist and concertmaster working in the studios today. He has served as concertmaster with everyone from such silver age legends as Miklos Rozsa and Henry Mancini to currently active composers like Marco Beltrami and Christophe Beck. In part one, Endre and I talk about how he got started in the studios, how things have changed over the years and the demands placed on studio musicians. Here are some links to the people he mentions in the interview. Miklos…
Read More

Jim Thatcher Part 2 & 3

In part 2 of my interview with horn player Jim Thatcher, we dive in and talk about the range of techniques available to the horn and the wide variety of tonal colors it can produce and more importantly, how they are produced. In addition, Jim explains just what those horn players are doing with their hands up inside their bells. In Part 3 we talk about stopping and mutes. These videos are a great companion to my post about the horn, where you…
Read More

Jim Thatcher Part 1

Jim Thatcher is the most-recorded horn player working in Hollywood today. He has been the principal horn on virtually every session I've conducted in Los Angeles. In part one of our interview, we'll talk about how Jim first became a serious horn player and what led him to the studios of Los Angeles. We'll also talk about some of his experiences as a session player over the years. Check back soon, as I'll be posting more of our conversation where we talk about how…
Read More